I have been looking for parallels to the mutilated sculptures at Perge, since they will be at the centre of a chapter on the body and society in late antiquity. One group of material comes from Scythopolis in modern Israel, where the excavations of the Eastern Bathhouse revealed a series of sculptures. I will be discussing this material and other pieces from Scythopolis today and over the next few days.
One of the most important things about the excavations of the Eastern Bathhouse is that the sculptures were found in a sealed layer, datable to 515/516 CE. This gives a terminus ante quem for the deposition of the statuary found in the baths. Among the finds was this nude statue of Venus, that had been mutilated before it was dumped in the hypocaust, when the baths were abandoned. The head has so far not been found.
The headless statue of Venus as found in the Eastern Batthouse, Scythopolis. From Tsafrir & Foerster 1997: fig. 37. The statue is now on view in the Israel Museum.
In the case of this mutilated and discarded statue of Venus, it is appropriate to consider an episode in the Life of Porphyry (Chapter 59). Porphyry became bishop of Gaza in the late 4th century, and one of his main tasks was to tackle the large pagan community that was active in the city. His biography tells us about his destruction of the great temple of Marnas in 402, but the same bout of violence also resulted in the destruction of a nude statue of Venus, that the attackers deemed to be unseemly. We can also remember Theodoret’s condemnation of Venus’ nudity as “more shameless than that of any prostitute standing in front of a brothel” (3.79-84).
I have also updated my outline to adjust for some recent changes.
Yoram Tsafrir. 2003. “The Christianization of Bet Shean (Scythopolis) and its Social-Cultural Influence on the City”, pp. 275-284, in: G. Brands & H.-G. Severin (eds.) Die spätantike Stadt und ihre Christianisierung. Wiesbaden: Reichert Verlag.
Yoram Tsafrir & Gideon Foerster. 1997. “Urbanism at Scythopolis-Bet Shean in the Fourth to Seventh Centuries”, DOP 51: 85-147.